![three billboards outside ebbing missouri metacritic three billboards outside ebbing missouri metacritic](https://m.media-amazon.com/images/M/MV5BMjBlYTAxNzUtYWJiMC00M2M4LTg3MDItNjQ3YTU1MzQ4ZmNlXkEyXkFqcGdeQXVyNDg2MjUxNjM@._V1_.jpg)
That would normally be mediocre, but well ahead of “The Beasts of No Nation,” which in a similar limited release of 17 theaters grossed $51,000. While the range of this potential estimate is great, an educated guess would put the range of grosses for these 18 theaters somewhere in the range of $80,000-120,000. Numbers did initially show up for two other Los Angeles theaters for Friday, suggesting a combined grossed around $4000 each for the weekend. The Landmark performance looks similar to “The Meyerowitz Chronicles (New and Selected)” on its initial weekend day and date with its Netflix premiere. Though reports aren’t available for the two main New York locations, a similar gross seems likely. With a top ticket price of $15, that would lead to a gross of around $15-20,000 for the weekend there.
#THREE BILLBOARDS OUTSIDE EBBING MISSOURI METACRITIC PLUS#
The rest included several from iPic, the chain that regularly exhibits Netflix titles, plus five additional Landmark locations and two from the Laemmle circuit in the Los Angeles area.īased the on-line pre-reserved seating site for the Landmark in Los Angeles, the 104-seat theater, with five shows a day, sold out or came came close about seven times, with similar likely on Sunday. It opened in 18 theaters in 11 metropolitan areas, including the usual New York and Los Angeles markets (where it earned lead review raves in the New York and Los Angeles Times) as well as Chicago, San Francisco, Washington, Boston, Philadelphia, Miami, Atlanta, Houston and Rees’ hometown Nashville.Īmong the top theaters were the Lincoln Plaza and IFC Center in Manhattan and the Landmark in Los Angeles, the usual for initial platform runs. $(est.) 80,000-120,000 in 18 theaters PTA (per theater average): $(est.) 4,444-6,666įew awards contenders this season will receive the level of acclaim, media and marketing support as “Mudbound.” Netflix acquired all rights for the film at Sundance for a 2017 record $12.5 million, and are spending more in order for the film to make its mark for awards consideration as a typical theatrical release. Mudbound (Netflix) Metacritic: 85 Festivals include: Sundance, Toronto 2017
![three billboards outside ebbing missouri metacritic three billboards outside ebbing missouri metacritic](https://pyxis.nymag.com/v1/imgs/eb8/409/f8c86115c3bc09dcd5650f751a8f8ad352-27-three-billboards-review.1x.rsocial.w1200.jpg)
It is scheduled for regular release in February after its likely nomination. We are estimating its performance based on limited indications from several theaters.Īlso getting strong reviews for its New York-Los Angeles debut, the Chilean Oscar submission “The Fantastic Woman” (Sony Pictures Classics) opened for a qualifying week with no grosses reported. The ’40s southern farm drama opened in a handful of big city theaters parallel to its home-viewing debut, with grosses unreported by Netflix. The fate of Dee Rees’ acclaimed “ Mudbound” (Netflix) is the compelling story of the weekend. The Denzel Washington legal drama had a modest debut in four New York/Los Angeles theaters before its wider release on Wednesday. They are the top performers by far among specialized films this weekend, including the platform debut of “Roman J. Leading fall Oscar contenders “Three Billboards Outside Ebbing, Missouri” (Fox Searchlight) and “Lady Bird” (A24) continue to pull crowds as they both expand after limited openings.